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Northamptonshire

Mansfield Park

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Tick off this house when you reach it in the story.

Mansfield Park — The house
“invested even the house, modern, airy, and well situated as it was, with a melancholy aspect”
Mansfield Park chapter 46
The house

People

← Around Mansfield Park
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Austen’s description of Mansfield Park
It made her melancholy again; and the knowledge of what must be enduring there, invested even the house, modern, airy, and well situated as it was, with a melancholy aspect.
Mansfield Park chapter 46
Mansfield Park — The house
“invested even the house, modern, airy, and well situated as it was, with a melancholy aspect”
Mansfield Park chapter 46

The house

The airy modern house is framed by the melancholy Fanny associates with it.

Original passage

An illustration combining details from Austen’s descriptions.

It made her melancholy again; and the knowledge of what must be enduring there, invested even the house, modern, airy, and well situated as it was, with a melancholy aspect.
Mansfield Park — Inside the house
“The rooms were too large for her to move in with ease: whatever she touched she expected to injure”
Mansfield Park chapter 2

Inside the house

Fanny’s first impression makes the formal room feel overwhelming in scale.

Original passage

Illustrated from this passage.

The grandeur of the house astonished, but could not console her. The rooms were too large for her to move in with ease: whatever she touched she expected to injure, and she crept about in constant terror of something or other; often retreating towards her own chamber to cry; and the little girl who was spoken of in the drawing-room when she left it at night as seeming so desirably sensible of her peculiar good fortune, ended every day’s sorrows by sobbing herself to sleep. A week had passed in this way, and no suspicion of it conveyed by her quiet passive manner, when she was found one morning by her cousin Edmund, the youngest of the sons, sitting crying on the attic stairs.
Mansfield Park — Park arrival
“Her eye fell everywhere on lawns and plantations of the freshest green; and the trees, though not fully clothed, were in that delightful state when farther beauty is known to be at hand”
Mansfield Park chapter 46

Park arrival

Spring greenery and partly leafed trees signal Fanny’s return to Mansfield Park.

Original passage

An illustration combining details from Austen’s descriptions.

The first division of their journey occupied a long day, and brought them, almost knocked up, to Oxford; but the second was over at a much earlier hour. They were in the environs of Mansfield long before the usual dinner-time, and as they approached the beloved place, the hearts of both sisters sank a little. Fanny began to dread the meeting with her aunts and Tom, under so dreadful a humiliation; and Susan to feel with some anxiety, that all her best manners, all her lately acquired knowledge of what was practised here, was on the point of being called into action. Visions of good and ill breeding, of old vulgarisms and new gentilities, were before her; and she was meditating much upon silver forks, napkins, and finger-glasses. Fanny had been everywhere awake to the difference of the country since February; but when they entered the Park her perceptions and her pleasures were of the keenest sort. It was three months, full three months, since her quitting it, and the change was from winter to summer. Her eye fell everywhere on lawns and plantations of the freshest green; and the trees, though not fully clothed, were in that delightful state when farther beauty is known to be at hand, and when, while much is actually given to the sight, more yet remains for the imagination. Her enjoyment, however, was for herself alone. Edmund could not share it. She looked at him, but he was leaning back, sunk in a deeper gloom than ever, and with eyes closed, as if the view of cheerfulness oppressed him, and the lovely scenes of home must be shut out.
Mansfield Park — Night prospect
“where all that was solemn, and soothing, and lovely, appeared in the brilliancy of an unclouded night, and the contrast of the deep shade of the woods”
Mansfield Park chapter 11

Night prospect

Moonlight and deep woods create the scene Fanny calls harmonious and restful.

Original passage

Illustrated from this passage.

Fanny agreed to it, and had the pleasure of seeing him continue at the window with her, in spite of the expected glee; and of having his eyes soon turned, like hers, towards the scene without, where all that was solemn, and soothing, and lovely, appeared in the brilliancy of an unclouded night, and the contrast of the deep shade of the woods. Fanny spoke her feelings. “Here’s harmony!” said she; “here’s repose! Here’s what may leave all painting and all music behind, and what poetry only can attempt to describe! Here’s what may tranquillise every care, and lift the heart to rapture! When I look out on such a night as this, I feel as if there could be neither wickedness nor sorrow in the world; and there certainly would be less of both if the sublimity of Nature were more attended to, and people were carried more out of themselves by contemplating such a scene.”
Mansfield Park — Garden to plantations
“from the earliest flowers in the warmest divisions of her aunt’s garden, to the opening of leaves of her uncle’s plantations, and the glory of his woods”
Mansfield Park chapter 45

Garden to plantations

The image follows spring from sheltered flowers through new leaves into mature woods.

Original passage

An illustration combining details from Austen’s descriptions.

It was sad to Fanny to lose all the pleasures of spring. She had not known before what pleasures she had to lose in passing March and April in a town. She had not known before how much the beginnings and progress of vegetation had delighted her. What animation, both of body and mind, she had derived from watching the advance of that season which cannot, in spite of its capriciousness, be unlovely, and seeing its increasing beauties from the earliest flowers in the warmest divisions of her aunt’s garden, to the opening of leaves of her uncle’s plantations, and the glory of his woods. To be losing such pleasures was no trifle; to be losing them, because she was in the midst of closeness and noise, to have confinement, bad air, bad smells, substituted for liberty, freshness, fragrance, and verdure, was infinitely worse: but even these incitements to regret were feeble, compared with what arose from the conviction of being missed by her best friends, and the longing to be useful to those who were wanting her!
Mansfield Park — Estate overview
“The first day I went over Mansfield Wood, and Edmund took the copses beyond Easton, and we brought home six brace between us”
Mansfield Park chapter 19

Estate overview

Mansfield Wood and farther copses anchor the estate’s managed countryside.

Original passage

An illustration combining details from Austen’s descriptions.

“The all will soon be told,” cried Tom hastily, and with affected unconcern; “but it is not worth while to bore my father with it now. You will hear enough of it to-morrow, sir. We have just been trying, by way of doing something, and amusing my mother, just within the last week, to get up a few scenes, a mere trifle. We have had such incessant rains almost since October began, that we have been nearly confined to the house for days together. I have hardly taken out a gun since the 3rd. Tolerable sport the first three days, but there has been no attempting anything since. The first day I went over Mansfield Wood, and Edmund took the copses beyond Easton, and we brought home six brace between us, and might each have killed six times as many, but we respect your pheasants, sir, I assure you, as much as you could desire. I do not think you will find your woods by any means worse stocked than they were. I never saw Mansfield Wood so full of pheasants in my life as this year. I hope you will take a day’s sport there yourself, sir, soon.”