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Somersetshire

Uppercross

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Tick off this house when you reach it in the story.

Uppercross — The house
“the mansion of the squire, with its high walls, great gates, and old trees, substantial and unmodernized”
Persuasion · chapter 5
The house
← Around Uppercross
View all 4 illustrations
Austen’s description of Uppercross
Uppercross was a moderate-sized village, which a few years back had been completely in the old English style, containing only two houses superior in appearance to those of the yeomen and labourers; the mansion of the squire, with its high walls, great gates, and old trees, substantial and unmodernized, and the compact, tight parsonage, enclosed in its own neat garden, with a vine and a pear-tree trained round its casements; but upon the marriage of the young ’squire, it had received the improvement of a farm-house elevated into a cottage, for his residence, and Uppercross Cottage, with its veranda, French windows, and other prettiness, was quite as likely to catch the traveller’s eye as the more consistent and considerable aspect and premises of the Great House, about a quarter of a mile farther on.
Persuasion, Chapter V
Uppercross — The house
“the mansion of the squire, with its high walls, great gates, and old trees, substantial and unmodernized”
Persuasion · chapter 5

The house

The Great House stands behind high walls and old trees within the village.

Original passage

Illustrated from this passage.

Uppercross was a moderate-sized village, which a few years back had been completely in the old English style, containing only two houses superior in appearance to those of the yeomen and labourers; the mansion of the squire, with its high walls, great gates, and old trees, substantial and unmodernized, and the compact, tight parsonage, enclosed in its own neat garden, with a vine and a pear-tree trained round its casements; but upon the marriage of the young ’squire, it had received the improvement of a farm-house elevated into a cottage, for his residence, and Uppercross Cottage, with its veranda, French windows, and other prettiness, was quite as likely to catch the traveller’s eye as the more consistent and considerable aspect and premises of the Great House, about a quarter of a mile farther on.
Uppercross — Inside the house
“the old-fashioned square parlour, with a small carpet and shining floor, to which the present daughters of the house were gradually giving the proper air of confusion by a grand piano-forte and a harp”
Persuasion · chapter 5

Inside the house

Music and flower stands bring cheerful clutter into the Great House’s old square parlour.

Original passage

Illustrated from this passage.

Anne had always thought such a style of intercourse highly imprudent; but she had ceased to endeavour to check it, from believing that, though there were on each side continual subjects of offence, neither family could now do without it. To the Great House accordingly they went, to sit the full half hour in the old-fashioned square parlour, with a small carpet and shining floor, to which the present daughters of the house were gradually giving the proper air of confusion by a grand piano-forte and a harp, flower-stands and little tables placed in every direction. Oh! could the originals of the portraits against the wainscot, could the gentlemen in brown velvet and the ladies in blue satin have seen what was going on, have been conscious of such an overthrow of all order and neatness! The portraits themselves seemed to be staring in astonishment.
Uppercross — Uppercross Cottage exterior
“or look an adieu to the Cottage, with its black, dripping and comfortless veranda”
Persuasion · chapter 13

Uppercross Cottage exterior

The veranda distinguishes Uppercross Cottage from the older Great House.

Original passage

An illustration combining details from Austen’s descriptions.

An hour’s complete leisure for such reflections as these, on a dark November day, a small thick rain almost blotting out the very few objects ever to be discerned from the windows, was enough to make the sound of Lady Russell’s carriage exceedingly welcome; and yet, though desirous to be gone, she could not quit the Mansion House, or look an adieu to the Cottage, with its black, dripping and comfortless veranda, or even notice through the misty glasses the last humble tenements of the village, without a saddened heart. Scenes had passed in Uppercross which made it precious. It stood the record of many sensations of pain, once severe, but now softened; and of some instances of relenting feeling, some breathings of friendship and reconciliation, which could never be looked for again, and which could never cease to be dear. She left it all behind her, all but the recollection that such things had been.
Uppercross — Cottage parlour
“She was now lying on the faded sofa of the pretty little drawing-room, the once elegant furniture of which had been gradually growing shabby, under the influence of four summers and two children”
Persuasion · chapter 5

Cottage parlour

A faded sofa and worn furnishings mark the little cottage drawing room.

Original passage

Illustrated from this passage.

Here Anne had often been staying. She knew the ways of Uppercross as well as those of Kellynch. The two families were so continually meeting, so much in the habit of running in and out of each other’s house at all hours, that it was rather a surprise to her to find Mary alone; but being alone, her being unwell and out of spirits was almost a matter of course. Though better endowed than the elder sister, Mary had not Anne’s understanding nor temper. While well, and happy, and properly attended to, she had great good humour and excellent spirits; but any indisposition sunk her completely. She had no resources for solitude; and inheriting a considerable share of the Elliot self-importance, was very prone to add to every other distress that of fancying herself neglected and ill-used. In person, she was inferior to both sisters, and had, even in her bloom, only reached the dignity of being “a fine girl.” She was now lying on the faded sofa of the pretty little drawing-room, the once elegant furniture of which had been gradually growing shabby, under the influence of four summers and two children; and, on Anne’s appearing, greeted her with—